

I based the entire composition around one small blue square: my prime construct. All of the other shapes were created for visual rhythm and also as a means of balancing against that one shape. Because of it's dark tone, perfect symmetry, and position (slightly above and left of center - perfect focal point), the blue square has a metric ton of visual weight. All of the other shapes had to be larger to compensate.
I also had time to improve the sticker template. My re-design will get rid of those ugly lines from joining yellow edges to the yellow border. You can see in the above diagram. I will re-do my older stickers this way as well, since I plan on printing these out at some point.